Chamber

With Tom Kerstens and George Odam,
after a premiere at the Barbican.

The Thousand and One Nights (2000)
9 mins
wind quintet
score

Red Fuji (2003)
9 mins
brass quintet
score

Starting in 2003 I wrote a number of pieces that were influenced, in a distant way, by contemporary tango music, especially the work of Piazzolla. These pieces include Milona Azure, Alba, Spanish Café, Eurydice Sings, The Stolen Branch, Pájaros del Mar, Citron, The Pale Dancer.

Milonga Azure (2003)
5 mins
vn, bandoneon/acc, gtr, pn, db
audio
score

Citron (2004)
3 mins
fl, asax, elec gtr, pn, db

Alba (2004)
5 mins
vn/sax, pn
audio
score

Spanish Café (2004)
6 mins
vn/sax, pn
audio
score

Eurydice Sings (2004)
6 mins
ssax, vc, pn
audio

Pájaros del Mar (2005)
5 mins
fl, vc
audio

The Stolen Branch (2005)
3 mins
fl, hp
audio

The Pale Dancer (2006)
11 mins
saxophone quartet
audio
score

Arias for Violin and Piano (2007)
8 mins
audio
score

In Arcadia (2009)
11 mins
cl/sax, pn
audio
score

French Concerto (2012)
12 minutes
fl, vln, vc, hpd/pn
audio
score

Trio Cocteau (2013)
13 mins
vn, vc, pno
audio
score

Sing, Memory (2013)
5 mins
gtr, hpd
audio
score

Unreal Promenades (2015)
15 mins
saxophone ensemble (eight or nine saxophones)
audio
score

Symphony Cocteau (2017)
18 mins
sax quartet, pn
score
audio - available on request

Cythera/Return from Cythera (2017)
7 mins
pn duet
score available on request

Figures from Watteau (2018)
7 mins
two guitars
score

Naïvement-Rondeau (2018)
8 minutes
gtr trio
score

Waltz Cocteau (2018)
5 minutes
gtr quartet
score

Selene’s Song (2019)
5′
flt/gtr
score

Hockney’s Shoes (2019)
10′
Saxophone quartet
score and audio available on request

Dark Sonata (2020)
15′
gtr duo
score

Couperin on the Road (2021)
12′
fl/va/hp
audio
score